a promising development for the future of the Albanian film industry
A journey through Albanian themes, with a line-up of projects using drama and comedy to address the current concerns of Albanian society and refreshing feedback on stories that draw on the totalitarian past. This is how one might describe the recent script developing workshop ALBAScript, made possible thanks to the partnership between the Albanian Film Center and Cineuropa.
The authors of 18 feature and short Albanian films in different stages of development were selected to participate in the workshop, with the guidance of Isabelle Fauvel and Giovanni Robbiano for the feature films and Izer Aliu and Andamion Murataj for the shorts. The first phase of the workshop took place in the beautiful small town of Pogradec, overlooking Lake Ohrid, a quiet natural retreat about 120 km east of the Albanian capital, Tirana.
Andamion Murataj, the programme director for ALBAScript, states that “Now is the time to introduce a professional scriptwriting workshop such as this one in Albania, calling in some of the best screenwriting tutors we know of, who have extensive experience in similar programmes across the region”.
Isabelle Fauvel, who provides consultancy services for many regional markets via her company Initiative Film, was an asset to the workshop as Head of Studies. “What drew me in is that all the participants have different degrees of experience, but even the most advanced, who brought us projects that looked like final drafts, were still open to positive criticism. In a short space of time, you have to really work to connect with people you’ve never met before and try to establish mutual trust. In this regard, it was a very thorough workshop, comprising three days, ten feature film projects with two tutors overseeing five of these each, with each at different stages of development, and eight shorts.
The idea was to offer feedback on the very interesting and very challenging works in progress, all of which were at different stages of development, aiming to strengthen them and steer them towards the production stage”, states Fauvel, who shared her experience and presented her views on when and how to co-write and co-produce a local film.
Izer Aliu, a Nordic writer and director of Albanian origin, is a tutor on the short film program. Aliu, known for his Student Academy Award-winning short To Guard a Mountain, is a role model for those wishing to shoot a local story with limited means and still achieve global success. According to Aliu, “There are promising things in all the scripts that are being developed. Albania has good stories and most of all, good people who want to tell those stories, and that’s what’s most important”.
Giovanni Robbiano, a writer and director, who also runs FAMU International, is a great connoisseur of Albanian contemporary cinema. He advises participants on how to further develop their scripts in such a way that they appeal internationally whilst remaining authentic. He is a font of knowledge for Albanian filmmakers on how to network and access further film training through alternative workshops across the region.
Content with his Albanian experience in Pogradec, Robbiano notes “Although it has been three intensive days, I have to say that they went well, and we’re already thinking about how we can make things even better in the future.
One of the participants in the workshop was Artur Gorishti, the writer and director of his first feature film project Fireflies, who has extensive experience as an actor. He feels confident in his work and says: “Now that the first phase of the workshop is over, I feel that it was the best thing I have done so far for my project. It not only gave me the opportunity to evaluate where I am with it, but it clarified where exactly I want to go with this project”.
For Ilir Butka, the head of the Albanian Film Center, further developing promising scripts through workshops like ALBAScript is essential, not only to help Albanian authors to effectively communicate their stories internationally, but, looking at the bigger, as part of the country’s new strategy to catch up with recent European film development. In this regard, partnering up with Cineuropa for this workshop is a big step towards bringing new Albanian film to the attention of international film markets and festivals.
ALBAScript announces selected screenplays
In collaboration with Cineuropa, The Albanian Film Center will be holding a course to coach Albanian film professionals in developing their scripts. Under the guidance of Isabelle Fauvel, founder of audiovisual project development company Intiative Film; Giovanni Robbiano, winner of the prestigious Italian scriptwriting award the Solinas Prize; and Izer Aliu, known for his award-winning short films To Guard a Mountain and The Good Life Over There, the 20 participants will learn about developing and marketing their projects, dramaturgy, as well as collaborating with co-writers, script consultants and story editors. After the three-day course, held from 1-3 August, there will be a six-month follow-up period, during which the scriptwriters can re-write their scripts and receive feedback from professional script editors. The project director is Andamion Murataj, an Albanian scriptwriter, director and producer. In 2010, he won the Silver Bear for Best Script (with Joshua Marston) for the movie The Forgiveness of Blood.
Ten feature scripts and ten short scripts have been selected to participate in this course. The selected feature projects that will be mentored by Isabelle Fauvel include: A Shelter among the Clouds by Robert Budina, Just a Baby by Dhimitri Ismailaj, The Bright Future by Julian Biba, The Nobles by Ylljet Aliçka and Albanian Style by Paskal Semini. On the other hand, Giovanni Robbiano will tutor the other five feature films: Dajna by Erenik Beqiri, Return to the Pirates Cave by Iris Elezi, The Flying Circus by Fatos Berisha, The Path of Fireflies by Artur Gorrishti and Three Lions Heading to Venice by Jonid Jorgji. Finally, Izer Aliu will look after all ten of the selected short films: Aquarium by Kreshnik Saraçi, A True Story by Viron Roboçi, Meeting the Unknown by Nerta Veliu, Nobody by Florenc Papas, Popcorn by Blerina Goce, Shadow by Gledis Bica, The Coca-Cola by Anxhela Cikopano, The Funeral Crasher by Albana Kozeli, The Morning After by Enxhi Rista and Violinist by Saimir Bajo.